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Question 33. Dear Father Christopher,
Since you write icons, please let me ask if you know or
have read why behind our Lord in the icon of His Ascension, we see at the
bottom, 2 semi circles, and behind Him, 5 concentric circles, each in a
different colour, or 4 plus a black centre. In two places I found that
these circles represent the Seven Heavens, because of the statement of the
Apostle Saint Paul in his epistle to the Ephesians 4:10 that Our Lord has
“ascended up far above all the heavens.” [Does this word “all” not suggest
more than only “three”?] Furthermore, that the All-Holy Trinity dwells in
an inaccesible abode, precisely above all the “Seven Heavens”. I do not
see how this could be attributed to Gnostic heretics. At one time, I
assumed the term “7 heavens” was alien to Orthodoxy but I have found it in
St. Irenaeus “Against the Heresies Book 2, ch. 30:7”. But since he (Paul)
has described that assumption of himself up to the third heaven, as
something great and pre-eminent, it cannot be that these men ascend above
the Seventh Heaven, for they are certainly not superior to the apostle."
then his text continues quoting from Saint Paul himself in the New
Testament “... Whether in the body, or whether out of the body, God
knoweth.”
Answer to Question 33 Dear J.
Your question on the Icon of the Ascension has puzzled me
because I have never seen the two semi circles you mention are found on
the bottom of the Icon. If you have a copy on you PC please send it me so
that I can have a visual image of what you say. The concentric circles
found in many Icons are called a mandorla and is a symbol used in
Iconography to represent the divine glory or the heavens. They are usually
of three concentric circles of graded blue with a white outer line which
is just to tidy up the outline. I have seen Icons with four and five
circles but never with seven. In the Ouspensky/Lossky book – The
Meaning of Icons – on the interpretation of the Icon of the Ascension
it says the following: “In iconography His (Christ’s) Glory is represented
as a mandorla, oval or round, composed of several concentric circles,
the symbol of the high heavens. Graphically this idea is conveyed by means
of an image of the visible sky as the ancients saw it, which corresponds
also to our modern conception of it as consisting of several spheres
(troposphere, stratosphere, ionosphere). This symbolism shows that the
ascending Saviour abides outside the earthly plane of existence and
through this the moment of Ascension acquires a character that is outside
time and so gives a quite special meaning to its details, taking them
outside the narrow limits of an historical event.” With love in
Christ |
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